A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 6
... play mood . They must be interpreted as analogous to weeping at a tragedy or during the performance of sad music . A child that plays fervidly is not disturbed in his enjoyment of play by fail6 ure . The joy in play is always greater than.
... play mood . They must be interpreted as analogous to weeping at a tragedy or during the performance of sad music . A child that plays fervidly is not disturbed in his enjoyment of play by fail6 ure . The joy in play is always greater than.
Pagina 7
... play possible or to increase its liveliness . The enjoyment does not consist in achieving the goal , for the latter can be reached by only one of the players - but in the play as such . Play for the player is an end in itself . Strange ...
... play possible or to increase its liveliness . The enjoyment does not consist in achieving the goal , for the latter can be reached by only one of the players - but in the play as such . Play for the player is an end in itself . Strange ...
Pagina 10
... Play , as we shall see , does not indeed exclude illusion- activity but does not necessarily presuppose it . Not all play is art , but all art is illusion play . This means that art belongs to a definite type of play , namely , to the play ...
... Play , as we shall see , does not indeed exclude illusion- activity but does not necessarily presuppose it . Not all play is art , but all art is illusion play . This means that art belongs to a definite type of play , namely , to the play ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word