A Modern Book of Esthetics: An Anthology |
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Pagina 117
But since pleasures are subjective and fleeting , and beauty appears to be stable and objective , he must explain how ... Such pleasure- fields are achieved , when ( 1 ) the total state of pleasure is the summation of a number of mild ...
But since pleasures are subjective and fleeting , and beauty appears to be stable and objective , he must explain how ... Such pleasure- fields are achieved , when ( 1 ) the total state of pleasure is the summation of a number of mild ...
Pagina 130
and esthetic pleasures be determined by the permanence of those which are called esthetic . ... From childhood to mature age , we are found deploring the loss at one moment of a pleasure we were but lately experiencing ; the ephemeral ...
and esthetic pleasures be determined by the permanence of those which are called esthetic . ... From childhood to mature age , we are found deploring the loss at one moment of a pleasure we were but lately experiencing ; the ephemeral ...
Pagina 139
Most of the pleasures which objects cause are easily distinguished and separated from the perception of the object ... The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is ...
Most of the pleasures which objects cause are easily distinguished and separated from the perception of the object ... The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word