A Modern Book of Esthetics: An Anthology |
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Pagina 130
and esthetic pleasures be determined by the permanence of those which are
called esthetic . ... From childhood to mature age , we are found deploring the
loss at one moment of a pleasure we were but lately experiencing ; the
ephemeral ...
and esthetic pleasures be determined by the permanence of those which are
called esthetic . ... From childhood to mature age , we are found deploring the
loss at one moment of a pleasure we were but lately experiencing ; the
ephemeral ...
Pagina 139
Most of the pleasures which objects cause are easily distinguished and
separated from the perception of the object : the ... The cohesion is therefore
slight between the pleasure and the other associated elements of sense ; the
pleasure is ...
Most of the pleasures which objects cause are easily distinguished and
separated from the perception of the object : the ... The cohesion is therefore
slight between the pleasure and the other associated elements of sense ; the
pleasure is ...
Pagina 148
Readers of Mr . Marshall ' s Pain , Pleasure , and Æsthetics will remember his
theory concerning the physiological basis of pleasure . Pleasure , he thinks , is
never a separable datum but always a quality attaching to a sensation that yields
...
Readers of Mr . Marshall ' s Pain , Pleasure , and Æsthetics will remember his
theory concerning the physiological basis of pleasure . Pleasure , he thinks , is
never a separable datum but always a quality attaching to a sensation that yields
...
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Sommario
VOLUNTARISTIC THEORIES O | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole