A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 196
... poetry , therefore you are dealing with mean- ings which remain the same outside the poem , any more than a tree or a person whom you think you recognize in a picture , is , as you know them at home so to speak , the tree or the person ...
... poetry , therefore you are dealing with mean- ings which remain the same outside the poem , any more than a tree or a person whom you think you recognize in a picture , is , as you know them at home so to speak , the tree or the person ...
Pagina 280
... poetry on that ground , we shall soon find out where we stand - or some of the modern formless poets will soon instruct us . There is another formal function which line may per- form - that of suggesting motion . The eye has a tendency ...
... poetry on that ground , we shall soon find out where we stand - or some of the modern formless poets will soon instruct us . There is another formal function which line may per- form - that of suggesting motion . The eye has a tendency ...
Pagina 485
... Poetic . New York , 1924 . Callahan , J. L .: A Theory of Esthetic According to the Prin- ciples of St. Thomas Aquinas ... Poetry . Oxford , 1909 . Eliot , T. S .: The Sacred Wood . London , 1928 . Foerster , Norman ( editor ) : Humanism ...
... Poetic . New York , 1924 . Callahan , J. L .: A Theory of Esthetic According to the Prin- ciples of St. Thomas Aquinas ... Poetry . Oxford , 1909 . Eliot , T. S .: The Sacred Wood . London , 1928 . Foerster , Norman ( editor ) : Humanism ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words