A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 78
... poetry, are objectified— myself they are, yet not myself. The objectivity of esthetic experience is furthered ... poet, just in uttering his longing in musical words Oh, to be in England Now that April's there gives it surcease. And even ...
... poetry, are objectified— myself they are, yet not myself. The objectivity of esthetic experience is furthered ... poet, just in uttering his longing in musical words Oh, to be in England Now that April's there gives it surcease. And even ...
Pagina 195
... poetry ? It seems in a sense to have almost no material element , to work di- rectly with significant ideas in which the objects of the imagination are conveyed . Language is so transparent , that it disappears , so to speak , into its ...
... poetry ? It seems in a sense to have almost no material element , to work di- rectly with significant ideas in which the objects of the imagination are conveyed . Language is so transparent , that it disappears , so to speak , into its ...
Pagina 196
... poetry , therefore you are dealing with mean- ings which remain the same outside the poem , any more than a tree or a person whom you think you recognize in a picture , is , as you know them at home so to speak , the tree or the person ...
... poetry , therefore you are dealing with mean- ings which remain the same outside the poem , any more than a tree or a person whom you think you recognize in a picture , is , as you know them at home so to speak , the tree or the person ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word