A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 195
... poetry ? It seems in a sense to have almost no material element , to work di- rectly with significant ideas in which the objects of the imagination are conveyed . Language is so transparent , that it disappears , so to speak , into its ...
... poetry ? It seems in a sense to have almost no material element , to work di- rectly with significant ideas in which the objects of the imagination are conveyed . Language is so transparent , that it disappears , so to speak , into its ...
Pagina 196
... poetry , therefore you are dealing with mean- ings which remain the same outside the poem , any more than a tree or a person whom you think you recognize in a picture , is , as you know them at home so to speak , the tree or the person ...
... poetry , therefore you are dealing with mean- ings which remain the same outside the poem , any more than a tree or a person whom you think you recognize in a picture , is , as you know them at home so to speak , the tree or the person ...
Pagina 481
... Poetry and Religion . New York , 1900. " What is Esthetics ? " in Philosophical Review , XIII ( 1904 ) , pp . 320-327 . Reason in Art . Second edition . New York , 1922 . Three Philosophical Poets . Cambridge ( Mass . ) , 1910. " The ...
... Poetry and Religion . New York , 1900. " What is Esthetics ? " in Philosophical Review , XIII ( 1904 ) , pp . 320-327 . Reason in Art . Second edition . New York , 1922 . Three Philosophical Poets . Cambridge ( Mass . ) , 1910. " The ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words