A Modern Book of Esthetics: An Anthology |
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Pagina 78
Emerging from the flux of impression and mood, the esthetic experience appears dissociated against the background of the mind, and becomes possessed, like the phenomenal objects of outer experience, with the semblance of independent ...
Emerging from the flux of impression and mood, the esthetic experience appears dissociated against the background of the mind, and becomes possessed, like the phenomenal objects of outer experience, with the semblance of independent ...
Pagina 174
Intuitive activity possesses intuitions to the extent that it expresses them . ... How can we really possess an intuition of a geometrical figure , unless we possess so accurate an image of it as to be able to trace it immediately upon ...
Intuitive activity possesses intuitions to the extent that it expresses them . ... How can we really possess an intuition of a geometrical figure , unless we possess so accurate an image of it as to be able to trace it immediately upon ...
Pagina 177
How little too does a painter possess of the intuitions of a poet ! And how little does one painter possess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations .
How little too does a painter possess of the intuitions of a poet ! And how little does one painter possess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole