A Modern Book of Esthetics: An Anthology |
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Pagina 78
Emerging from the flux of impression and mood, the esthetic experience appears dissociated against the background of the mind, and becomes possessed, like the phenomenal objects of outer experience, with the semblance of independent ...
Emerging from the flux of impression and mood, the esthetic experience appears dissociated against the background of the mind, and becomes possessed, like the phenomenal objects of outer experience, with the semblance of independent ...
Pagina 174
Intuitive activity possesses intuitions to the extent that it expresses them . ... How can we really possess an intuition of a geometrical figure , unless we possess so accurate an image of it as to be able to trace it immediately upon ...
Intuitive activity possesses intuitions to the extent that it expresses them . ... How can we really possess an intuition of a geometrical figure , unless we possess so accurate an image of it as to be able to trace it immediately upon ...
Pagina 177
How little too does a painter possess of the intuitions of a poet ! And how little does one painter possess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations .
How little too does a painter possess of the intuitions of a poet ! And how little does one painter possess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word