A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 468
... practical difficul- ties of education . We can , however , guide ourselves by a certain simplicity in its general theory . The student should concentrate within a limited field . Such concen- tration should include all practical and ...
... practical difficul- ties of education . We can , however , guide ourselves by a certain simplicity in its general theory . The student should concentrate within a limited field . Such concen- tration should include all practical and ...
Pagina 502
... Practical , Un- practical ) , 261-263 , 424 , 451 , 453- 467 , 469 Memory ( see also Associations ) , 84 , 101-103 , 307-308 Meredith , 206 , 219 , 220 Michelangelo , 45 , 96 , 150 , 176 , 270 Mill , John Stuart , 440 Milton , 383-384 ...
... Practical , Un- practical ) , 261-263 , 424 , 451 , 453- 467 , 469 Memory ( see also Associations ) , 84 , 101-103 , 307-308 Meredith , 206 , 219 , 220 Michelangelo , 45 , 96 , 150 , 176 , 270 Mill , John Stuart , 440 Milton , 383-384 ...
Pagina 504
An Anthology Melvin Miller Rader. Unpractical Character of Art (see also Practical, Distance, Isolation) Use and Beauty (see also Practical, Unpractical, Means), 146-147, 151-152, 411-412, 462-463 Vaihinger, 73 Values or Valuations, 56 ...
An Anthology Melvin Miller Rader. Unpractical Character of Art (see also Practical, Distance, Isolation) Use and Beauty (see also Practical, Unpractical, Means), 146-147, 151-152, 411-412, 462-463 Vaihinger, 73 Values or Valuations, 56 ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word