A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 58
Pagina 374
... practical life , so the power of esthetic appreciation must be developed in early youth for this not less important ... practical , of the looking on things as means of practical ends ; but even their play and their childish enjoyment is ...
... practical life , so the power of esthetic appreciation must be developed in early youth for this not less important ... practical , of the looking on things as means of practical ends ; but even their play and their childish enjoyment is ...
Pagina 468
... practical difficul- ties of education . We can , however , guide ourselves by a certain simplicity in its general theory . The student should concentrate within a limited field . Such concen- tration should include all practical and ...
... practical difficul- ties of education . We can , however , guide ourselves by a certain simplicity in its general theory . The student should concentrate within a limited field . Such concen- tration should include all practical and ...
Pagina 502
... Practical , Un- practical ) , 261-263 , 424 , 451 , 453- 467 , 469 Memory ( see also Associations ) , 84 , 101-103 , 307-308 Meredith , 206 , 219 , 220 Michelangelo , 45 , 96 , 150 , 176 , 270 Mill , John Stuart , 440 Milton , 383-384 ...
... Practical , Un- practical ) , 261-263 , 424 , 451 , 453- 467 , 469 Memory ( see also Associations ) , 84 , 101-103 , 307-308 Meredith , 206 , 219 , 220 Michelangelo , 45 , 96 , 150 , 176 , 270 Mill , John Stuart , 440 Milton , 383-384 ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words