A Modern Book of Esthetics: An Anthology |
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Pagina 375
children are accustomed to devices of play which stimulate the imagination first of
all ; the American child grows up with movement plays which train the skill and
the practical initiative , but are useless for the development of imaginative power .
children are accustomed to devices of play which stimulate the imagination first of
all ; the American child grows up with movement plays which train the skill and
the practical initiative , but are useless for the development of imaginative power .
Pagina 468
Such concentration should include all practical and intellectual acquirements
requisite for that concentration . This is the ordinary procedure ; and , in respect to
it , I should be inclined even to increase the facilities for concentration rather than
...
Such concentration should include all practical and intellectual acquirements
requisite for that concentration . This is the ordinary procedure ; and , in respect to
it , I should be inclined even to increase the facilities for concentration rather than
...
Pagina 502
... Continuity of 276 - 284 , 329 ( see also Use , Practical , Un Parker , DeWitt H . ,
56 - 57 , 73 - 79 , practical ) , 261 - 263 , 424 , 451 , 453 229 , 232 - 245 , 359 ,
479 - 480 467 , 469 Parkhurst , Helen Huss , 362 Memory ( see also Associations
) ...
... Continuity of 276 - 284 , 329 ( see also Use , Practical , Un Parker , DeWitt H . ,
56 - 57 , 73 - 79 , practical ) , 261 - 263 , 424 , 451 , 453 229 , 232 - 245 , 359 ,
479 - 480 467 , 469 Parkhurst , Helen Huss , 362 Memory ( see also Associations
) ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole