A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 41
... present ; that monkeys , for instance , labor under a kind of mock ex- citement when they indulge their destructive impulses , and that the bird tumbling about in the air has some object when he seems on the point of falling helpless to ...
... present ; that monkeys , for instance , labor under a kind of mock ex- citement when they indulge their destructive impulses , and that the bird tumbling about in the air has some object when he seems on the point of falling helpless to ...
Pagina 486
... present volume . ) Landmarks in Nineteenth Century Painting . London , 1929. An Account of French Painting . London , 1932. Enjoying Pictures . London , 1934 . Fry : Vision and Design . London , 1920. " The Artist and Psycho - Analysis ...
... present volume . ) Landmarks in Nineteenth Century Painting . London , 1929. An Account of French Painting . London , 1932. Enjoying Pictures . London , 1934 . Fry : Vision and Design . London , 1920. " The Artist and Psycho - Analysis ...
Pagina 493
... present volume . Lectures on Art and Industry ( 18811894 ) . London , 1914 . Morris and E. Belfort Bax : Socialism : Its Growth and Outcome . New York , 1893 . Dewey : " The Aesthetic Element in Education " in National Educational ...
... present volume . Lectures on Art and Industry ( 18811894 ) . London , 1914 . Morris and E. Belfort Bax : Socialism : Its Growth and Outcome . New York , 1893 . Dewey : " The Aesthetic Element in Education " in National Educational ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word