A Modern Book of Esthetics: An Anthology |
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Pagina 41
As regards other kinds of play we are only justified in thinking it probable that such a consciousness of shamming is present ; that monkeys , for instance , labor under a kind of mock ex- citement when they indulge their destructive ...
As regards other kinds of play we are only justified in thinking it probable that such a consciousness of shamming is present ; that monkeys , for instance , labor under a kind of mock ex- citement when they indulge their destructive ...
Pagina 486
( A discussion of the limitations of formalism when applied to literature - a supplement to the selection printed in the present volume . ) Landmarks in Nineteenth Century Painting . London , 1929. An Account of French Painting .
( A discussion of the limitations of formalism when applied to literature - a supplement to the selection printed in the present volume . ) Landmarks in Nineteenth Century Painting . London , 1929. An Account of French Painting .
Pagina 493
Contains " Art and Socialism , " reprinted , with omission of the last two and a half pages , in the present volume . Lectures on Art and Industry ( 18811894 ) . London , 1914 . Morris and E. Belfort Bax : Socialism : Its Growth and ...
Contains " Art and Socialism , " reprinted , with omission of the last two and a half pages , in the present volume . Lectures on Art and Industry ( 18811894 ) . London , 1914 . Morris and E. Belfort Bax : Socialism : Its Growth and ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word