A Modern Book of Esthetics: An Anthology |
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Pagina 229
According to DeWitt PARKER ( 1885- ) , the all - embracing principle of form - its very essence and meaning - is organic ... All the other principles of form - theme , thematic variation , balance , rhythm , hierarchy , and evolution ...
According to DeWitt PARKER ( 1885- ) , the all - embracing principle of form - its very essence and meaning - is organic ... All the other principles of form - theme , thematic variation , balance , rhythm , hierarchy , and evolution ...
Pagina 232
These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety ... the principle of the theme ; the principle of thematic variation ; balance ; the principle of hierarchy ...
These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety ... the principle of the theme ; the principle of thematic variation ; balance ; the principle of hierarchy ...
Pagina 234
The ancient law of organic unity is the master principle of esthetic form ; all the other principles serve it . First among them is what I would call the principle of the theme . This corresponds to the dominant character ” or idee mère ...
The ancient law of organic unity is the master principle of esthetic form ; all the other principles serve it . First among them is what I would call the principle of the theme . This corresponds to the dominant character ” or idee mère ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole