A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 50
... principle - steps over into the apparent world and changes it into a better and higher one , so in conscious play ... principles of the latter . They are courtship , imitation , and the constructive arts , and the three principles ...
... principle - steps over into the apparent world and changes it into a better and higher one , so in conscious play ... principles of the latter . They are courtship , imitation , and the constructive arts , and the three principles ...
Pagina 232
... principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the principle ...
... principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the principle ...
Pagina 234
... principle of esthetic form ; all the other principles serve it . First among them is what I would call the principle of the theme . This corresponds to the " dominant character " or idee mère of Taine . In every complex work of art ...
... principle of esthetic form ; all the other principles serve it . First among them is what I would call the principle of the theme . This corresponds to the " dominant character " or idee mère of Taine . In every complex work of art ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words