A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 225
... produce classic forms which will conform so closely to life that any of the exigencies of reason which might not ... produced by debased romanticism in its reaction against genuine romanticism . For a fundamental aim of classicism is the ...
... produce classic forms which will conform so closely to life that any of the exigencies of reason which might not ... produced by debased romanticism in its reaction against genuine romanticism . For a fundamental aim of classicism is the ...
Pagina 331
... produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a saying . Naturalism , pleinairism , impres ...
... produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a saying . Naturalism , pleinairism , impres ...
Pagina 414
... produced through the machine : they even pointed to the fact that it had been produced . The first expression of Cubism indeed dates back to the seventeenth century : Jean Baptiste Bracelle , in 1624 , did a series of Bizarreries which ...
... produced through the machine : they even pointed to the fact that it had been produced . The first expression of Cubism indeed dates back to the seventeenth century : Jean Baptiste Bracelle , in 1624 , did a series of Bizarreries which ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words