A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 416
... production is based . Capitalism , which along with war played such a stimu- lating part in the development of ... producing a single unique object , it is capable of producing a million others just as good as the master model from which ...
... production is based . Capitalism , which along with war played such a stimu- lating part in the development of ... producing a single unique object , it is capable of producing a million others just as good as the master model from which ...
Pagina 449
... production and consumption were lacking ; producers had a virtually servile status . Because of the close connection between production and enjoyable fruition , the Greeks in their perceptive uses and enjoyments were never wholly ...
... production and consumption were lacking ; producers had a virtually servile status . Because of the close connection between production and enjoyable fruition , the Greeks in their perceptive uses and enjoyments were never wholly ...
Pagina 456
... production which in reality is largely a form of com- mercialized industry in production of a class of commodi- ties that find their sale among well - to - do persons desirous of maintaining a conventionally approved status . As the ...
... production which in reality is largely a form of com- mercialized industry in production of a class of commodi- ties that find their sale among well - to - do persons desirous of maintaining a conventionally approved status . As the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words