A Modern Book of Esthetics: An Anthology |
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Pagina 413
craft decoration , in the willing production of superfluity , contributed by the worker out of his own delight in the work . The elegance of a mathematical equation , the inevitability of a series of physical inter - relations ...
craft decoration , in the willing production of superfluity , contributed by the worker out of his own delight in the work . The elegance of a mathematical equation , the inevitability of a series of physical inter - relations ...
Pagina 449
On the other hand , there is the delight that attends vision and hearing , an enhancement of the receptive appreciation and assimilation of objects irrespective of participation in the operations of production .
On the other hand , there is the delight that attends vision and hearing , an enhancement of the receptive appreciation and assimilation of objects irrespective of participation in the operations of production .
Pagina 456
as fine art : the production of buildings in the name of the art of architecture ; of pictures in the name of the art of painting ; of novels , dramas , etc. , in the name of literary art ; a production which in reality is largely a ...
as fine art : the production of buildings in the name of the art of architecture ; of pictures in the name of the art of painting ; of novels , dramas , etc. , in the name of literary art ; a production which in reality is largely a ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word