A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 168
... Pure images ! But to nourish oneself upon pure images is called by a name of little honor , " to dream , " and there is usually added to this the epithet of " idle . " It is a very insipid and inconclusive thing ; can it ever be art ...
... Pure images ! But to nourish oneself upon pure images is called by a name of little honor , " to dream , " and there is usually added to this the epithet of " idle . " It is a very insipid and inconclusive thing ; can it ever be art ...
Pagina 256
... pure es- thetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to transport me far into the world of pure esthetic ecstasy . But at moments I do appreciate ...
... pure es- thetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to transport me far into the world of pure esthetic ecstasy . But at moments I do appreciate ...
Pagina 261
... pure forms - that is , as ends in themselves . He did not feel emotion for a chair as a means to physical well ... pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects ...
... pure forms - that is , as ends in themselves . He did not feel emotion for a chair as a means to physical well ... pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words