A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina xxix
... form in art is recognized by almost all modern estheticians . Consider most of the theories ad- vanced in this book ... pure form and rep- resentation , " Ortega y Gasset's " will to style , " Münster- berg's " isolation and repose ...
... form in art is recognized by almost all modern estheticians . Consider most of the theories ad- vanced in this book ... pure form and rep- resentation , " Ortega y Gasset's " will to style , " Münster- berg's " isolation and repose ...
Pagina 230
... pure form . " In proportion as art becomes purer , " he writes , " the number of people to whom it appeals gets less . It cuts out all the romantic overtones of life which are the usual bait by which men are induced to accept a work of ...
... pure form . " In proportion as art becomes purer , " he writes , " the number of people to whom it appeals gets less . It cuts out all the romantic overtones of life which are the usual bait by which men are induced to accept a work of ...
Pagina 261
... pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects as pure forms is to see them as ends in themselves . For though , of course , forms are related to each other as parts ...
... pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects as pure forms is to see them as ends in themselves . For though , of course , forms are related to each other as parts ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
Copyright | |
12 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word