A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 69
... reality and to pursue the reality - principle , and that in so doing it must renounce temporarily or perma- nently various of the objects and aims - not only sexual - of its desire for pleasure . But renunciation of pleasure has al ...
... reality and to pursue the reality - principle , and that in so doing it must renounce temporarily or perma- nently various of the objects and aims - not only sexual - of its desire for pleasure . But renunciation of pleasure has al ...
Pagina 166
... reality against unreality , or at lowering unreality by includ- ing it in reality as a subordinate moment of reality itself . But intuition means , precisely , indistinction of reality and unreality , the image with its value as mere ...
... reality against unreality , or at lowering unreality by includ- ing it in reality as a subordinate moment of reality itself . But intuition means , precisely , indistinction of reality and unreality , the image with its value as mere ...
Pagina 183
... reality from us , in order to bring us face to face with reality itself . It is from a misunderstanding on this point that the dispute between realism and idealism in art has arisen . Art is certainly only a more direct vision of reality ...
... reality from us , in order to bring us face to face with reality itself . It is from a misunderstanding on this point that the dispute between realism and idealism in art has arisen . Art is certainly only a more direct vision of reality ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words