A Modern Book of Esthetics: An Anthology |
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Pagina 69
You know that the ego in man is gradually trained by the influence of external necessity to appreciate reality and to pursue the reality - principle , and that in so doing it must renounce temporarily or permanently various of the ...
You know that the ego in man is gradually trained by the influence of external necessity to appreciate reality and to pursue the reality - principle , and that in so doing it must renounce temporarily or permanently various of the ...
Pagina 166
Conceptual knowledge , in its true form , which is the philosophical , is always realistic , aiming at establishing reality against unreality , or at lowering unreality by including it in reality as a subordinate moment of reality ...
Conceptual knowledge , in its true form , which is the philosophical , is always realistic , aiming at establishing reality against unreality , or at lowering unreality by including it in reality as a subordinate moment of reality ...
Pagina 183
So art , whether it be painting or sculpture , poetry or music , has no other object than to brush aside the utilitarian symbols , the conventional and socially accepted generalities , in short , everything that veils reality from us ...
So art , whether it be painting or sculpture , poetry or music , has no other object than to brush aside the utilitarian symbols , the conventional and socially accepted generalities , in short , everything that veils reality from us ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole