A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 69
You know that the ego in man is gradually trained by the influence of external necessity to appreciate reality and to pursue the reality - principle , and that in so doing it must renounce temporarily or permanently various of the ...
You know that the ego in man is gradually trained by the influence of external necessity to appreciate reality and to pursue the reality - principle , and that in so doing it must renounce temporarily or permanently various of the ...
Pagina 166
Conceptual knowledge , in its true form , which is the philosophical , is always realistic , aiming at establishing reality against unreality , or at lowering unreality by including it in reality as a subordinate moment of reality ...
Conceptual knowledge , in its true form , which is the philosophical , is always realistic , aiming at establishing reality against unreality , or at lowering unreality by including it in reality as a subordinate moment of reality ...
Pagina 183
So art , whether it be painting or sculpture , poetry or music , has no other object than to brush aside the utilitarian symbols , the conventional and socially accepted generalities , in short , everything that veils reality from us ...
So art , whether it be painting or sculpture , poetry or music , has no other object than to brush aside the utilitarian symbols , the conventional and socially accepted generalities , in short , everything that veils reality from us ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word