A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 67
Pagina 47
... reason , requires a middle state , where the opposite ends may unite , the harsh tension be reduced to mild harmony , and the transition from one con- dition to the other be facilitated . The esthetic sense , or feeling for beauty , is ...
... reason , requires a middle state , where the opposite ends may unite , the harsh tension be reduced to mild harmony , and the transition from one con- dition to the other be facilitated . The esthetic sense , or feeling for beauty , is ...
Pagina 225
... reason will produce classic forms which will conform so closely to life that any of the exigencies of reason which might not accommodate themselves will be self - condemned . This does not mean that reason will give up the constant ...
... reason will produce classic forms which will conform so closely to life that any of the exigencies of reason which might not accommodate themselves will be self - condemned . This does not mean that reason will give up the constant ...
Pagina 472
... reason of its variety , an enemy to the endurance of the organism . The pattern of the higher organism has retreated into the recesses of the individualized activity . It has become a uniform way of dealing with circumstances ; and this ...
... reason of its variety , an enemy to the endurance of the organism . The pattern of the higher organism has retreated into the recesses of the individualized activity . It has become a uniform way of dealing with circumstances ; and this ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word