A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 68
Pagina 124
... reason why the capacity to recog- nize this beauty in connection with other arts should , in any case , be lacking . Now there is no objection to the objective view itself , and we might well adopt it , if it led us anywhere ; but ...
... reason why the capacity to recog- nize this beauty in connection with other arts should , in any case , be lacking . Now there is no objection to the objective view itself , and we might well adopt it , if it led us anywhere ; but ...
Pagina 175
... reason which makes our view appear para- doxical as we maintain it , is the illusion or prejudice that we possess a more complete intuition of reality than we really do . One often hears people say that they have many great thoughts in ...
... reason which makes our view appear para- doxical as we maintain it , is the illusion or prejudice that we possess a more complete intuition of reality than we really do . One often hears people say that they have many great thoughts in ...
Pagina 225
... reason will produce classic forms which will conform so closely to life that any of the exigencies of reason which might not accommodate themselves will be self - condemned . This does not mean that reason will give up the constant ...
... reason will produce classic forms which will conform so closely to life that any of the exigencies of reason which might not accommodate themselves will be self - condemned . This does not mean that reason will give up the constant ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words