A Modern Book of Esthetics: An Anthology |
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Pagina xxix
... notices its position on the bush , its contrast in color with the green of the bush
and the brown of the soil ; the relation of ... blue sky overhead ; and consequently
the value of the rose , for him , is determined by this rich complexity of relations .
... notices its position on the bush , its contrast in color with the green of the bush
and the brown of the soil ; the relation of ... blue sky overhead ; and consequently
the value of the rose , for him , is determined by this rich complexity of relations .
Pagina 271
relations , and that the more complex the relations of which we are able to
recognize the inevitable interdependence and correspondence , the greater is
the pleasure ; this of course will come very near to the pleasure derived from the
...
relations , and that the more complex the relations of which we are able to
recognize the inevitable interdependence and correspondence , the greater is
the pleasure ; this of course will come very near to the pleasure derived from the
...
Pagina 320
In giving preference therefore to the term “ impersonal ” to describe the relation
between the spectator and a work of Art , it is to be noticed that it is not
impersonal in the sense in which we speak of the “ impersonal ” character of
Science , for ...
In giving preference therefore to the term “ impersonal ” to describe the relation
between the spectator and a work of Art , it is to be noticed that it is not
impersonal in the sense in which we speak of the “ impersonal ” character of
Science , for ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |