A Modern Book of Esthetics: An Anthology |
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Pagina xxix
... the bush and the brown of the soil ; the relation of the bush and the garden to the gray wall behind and the blue sky overhead ; and consequently the value of the rose , for him , is determined by this rich complexity of relations .
... the bush and the brown of the soil ; the relation of the bush and the garden to the gray wall behind and the blue sky overhead ; and consequently the value of the rose , for him , is determined by this rich complexity of relations .
Pagina 270
Just the shapes of those bottles and their mutual relations gave me the feeling of something immensely grand and impressive and the phrase that came into my mind was , “ This is just how I felt when I first saw Michelangelo's frescos in ...
Just the shapes of those bottles and their mutual relations gave me the feeling of something immensely grand and impressive and the phrase that came into my mind was , “ This is just how I felt when I first saw Michelangelo's frescos in ...
Pagina 271
relations , and that the more complex the relations of which we are able to recognize the inevitable interdependence and correspondence , the greater is the pleasure ; this of course will come very near to the pleasure derived from the ...
relations , and that the more complex the relations of which we are able to recognize the inevitable interdependence and correspondence , the greater is the pleasure ; this of course will come very near to the pleasure derived from the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole