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Pagina xxix
But a painter, in contemplating the rose, notices its position on the bush, its
contrast in color with the green of the bush and the brown of the soil; the relation
of the bush and the garden to the gray wall behind and the blue sky overhead;
and ...
But a painter, in contemplating the rose, notices its position on the bush, its
contrast in color with the green of the bush and the brown of the soil; the relation
of the bush and the garden to the gray wall behind and the blue sky overhead;
and ...
Pagina 268
On the other hand in each generation there are likely to be a certain number of
people who have a sensitiveness to purely formal relations. To such people
these relations have meaning and arouse keen emotions of pleasure. And these
...
On the other hand in each generation there are likely to be a certain number of
people who have a sensitiveness to purely formal relations. To such people
these relations have meaning and arouse keen emotions of pleasure. And these
...
Pagina 393
An imagination directed purely to practical objects— they had religious laws
governing godward relations as they had other laws governing human relations,
but there was no specifically Roman saga of gods— was something which is not
...
An imagination directed purely to practical objects— they had religious laws
governing godward relations as they had other laws governing human relations,
but there was no specifically Roman saga of gods— was something which is not
...
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Indice
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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Parole e frasi comuni
abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |