A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xxix
... relation of the bush and the garden to the gray wall behind and the blue sky overhead ; and conse- quently the value of the rose , for him , is determined by this rich complexity of relations . Similarly Santayana re- marks of a musical ...
... relation of the bush and the garden to the gray wall behind and the blue sky overhead ; and conse- quently the value of the rose , for him , is determined by this rich complexity of relations . Similarly Santayana re- marks of a musical ...
Pagina 251
... relations of form , " and then try to make the best of two worlds , the esthetic and the metaphysical , by calling these relations " rhythm , " I have no quarrel what- ever . Having made it clear that by " significant form " I mean ...
... relations of form , " and then try to make the best of two worlds , the esthetic and the metaphysical , by calling these relations " rhythm , " I have no quarrel what- ever . Having made it clear that by " significant form " I mean ...
Pagina 268
... relations . To such people these relations have meaning and arouse keen emotions of pleasure . And these people create such systems of formal relations and do not sacrifice willingly or consciously anything of those formal relations ...
... relations . To such people these relations have meaning and arouse keen emotions of pleasure . And these people create such systems of formal relations and do not sacrifice willingly or consciously anything of those formal relations ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words