A Modern Book of Esthetics: An Anthology |
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Pagina xxix
... the bush and the brown of the soil ; the relation of the bush and the garden to the gray wall behind and the blue sky overhead ; and consequently the value of the rose , for him , is determined by this rich complexity of relations .
... the bush and the brown of the soil ; the relation of the bush and the garden to the gray wall behind and the blue sky overhead ; and consequently the value of the rose , for him , is determined by this rich complexity of relations .
Pagina 270
Just the shapes of those bottles and their mutual relations gave me the feeling of something immensely grand and impressive and the phrase that came into my mind was , " This is just how I felt when I first saw Michelangelo's frescos in ...
Just the shapes of those bottles and their mutual relations gave me the feeling of something immensely grand and impressive and the phrase that came into my mind was , " This is just how I felt when I first saw Michelangelo's frescos in ...
Pagina 271
relations , and that the more complex the relations of which we are able to recognize the inevitable interdependence and correspondence , the greater is the pleasure ; this of course will come very near to the pleasure derived from the ...
relations , and that the more complex the relations of which we are able to recognize the inevitable interdependence and correspondence , the greater is the pleasure ; this of course will come very near to the pleasure derived from the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word