A Modern Book of Esthetics: An Anthology |
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Pagina 281
Such lines present motion , i.e. , motion in the represented object . But the motion which is a formal function is not in the picture so much as in ourselves . There might be a greater use of formal motion in a still - life picture than ...
Such lines present motion , i.e. , motion in the represented object . But the motion which is a formal function is not in the picture so much as in ourselves . There might be a greater use of formal motion in a still - life picture than ...
Pagina 282
represented object is intended to be . But artistic taste will nearly always assign a limit much closer to the photographically correct . Extreme painters - the Outragists , if I may so dub them -often depart very widely from Nature .
represented object is intended to be . But artistic taste will nearly always assign a limit much closer to the photographically correct . Extreme painters - the Outragists , if I may so dub them -often depart very widely from Nature .
Pagina 353
With the things represented in the traditional picture , we might live in the imagination . Many Englishmen have fallen in love with Mona Lisa . With things represented in the new pictures , it is impos- sible to live : on stripping ...
With the things represented in the traditional picture , we might live in the imagination . Many Englishmen have fallen in love with Mona Lisa . With things represented in the new pictures , it is impos- sible to live : on stripping ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word