A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 217
... romanticism ; this sequence is not the normal one . Romanticism is held up as a reaction against classicism , a counter tempo in the rhythm , while actually it has been classicism , whenever it has shown real vitality , that has reacted ...
... romanticism ; this sequence is not the normal one . Romanticism is held up as a reaction against classicism , a counter tempo in the rhythm , while actually it has been classicism , whenever it has shown real vitality , that has reacted ...
Pagina 225
... romanticism will not be made sterile by this ; quite the contrary . Of all the " departures for the unknown ... romanticism in its reaction against genuine romanticism . For a fundamental aim of classicism is the translation into ...
... romanticism will not be made sterile by this ; quite the contrary . Of all the " departures for the unknown ... romanticism in its reaction against genuine romanticism . For a fundamental aim of classicism is the translation into ...
Pagina 485
... Romanticism . London , 1926 . Babbitt , Irving : The New Laokoön . Boston , 1910. Rousseau and Romanticism . Boston , 1919 . Benda , Julien : Belphegor . ( Translated by S. J. Lawson . ) New York , 1929. The Treason of the Intellectuals ...
... Romanticism . London , 1926 . Babbitt , Irving : The New Laokoön . Boston , 1910. Rousseau and Romanticism . Boston , 1919 . Benda , Julien : Belphegor . ( Translated by S. J. Lawson . ) New York , 1929. The Treason of the Intellectuals ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words