Dall'interno del libro
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Pagina 217
We are not trying to decide whether classicism or romanticism is right, not
whether these words have been correctly defined, but we are trying to abolish an
antithesis which every one feels to be arbitrary. The "classic" idea of classicism
will ...
We are not trying to decide whether classicism or romanticism is right, not
whether these words have been correctly defined, but we are trying to abolish an
antithesis which every one feels to be arbitrary. The "classic" idea of classicism
will ...
Pagina 222
ground is so peculiar that romanticism pretends vainly to maintain an irreducible
difference. This pretension must be examined. Both the emotional fringe of our
mental life and the quick motions that make up action seem by their very nature to
...
ground is so peculiar that romanticism pretends vainly to maintain an irreducible
difference. This pretension must be examined. Both the emotional fringe of our
mental life and the quick motions that make up action seem by their very nature to
...
Pagina 225
The idea of the inhumanity of the work of art is one of the most uselessly false
ones ever produced by debased romanticism in its reaction against genuine
romanticism. For a fundamental aim of classicism is the translation into form of a
state of ...
The idea of the inhumanity of the work of art is one of the most uselessly false
ones ever produced by debased romanticism in its reaction against genuine
romanticism. For a fundamental aim of classicism is the translation into form of a
state of ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words