A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 75
... satisfaction of the woman spectator in the Aphrodite illustrates the former procedure , while the satisfaction of the man illustrates the latter . But it is clear that works of realistic art do not con- form to this type . For a statue ...
... satisfaction of the woman spectator in the Aphrodite illustrates the former procedure , while the satisfaction of the man illustrates the latter . But it is clear that works of realistic art do not con- form to this type . For a statue ...
Pagina 76
... satisfaction of the impulse to knowledge belongs as legitimately to art as the satisfaction of any other desire . But it has been the mis- take of the intellectualist tradition in esthetics to regard the interest in knowledge as the ...
... satisfaction of the impulse to knowledge belongs as legitimately to art as the satisfaction of any other desire . But it has been the mis- take of the intellectualist tradition in esthetics to regard the interest in knowledge as the ...
Pagina 79
... satisfaction of desire , it is a practical value as well , in the larger meaning of practical . Underlying every artistic in- tuition there is a happiness achieved , be it only for a mo- ment . So we return to the conception of art as ...
... satisfaction of desire , it is a practical value as well , in the larger meaning of practical . Underlying every artistic in- tuition there is a happiness achieved , be it only for a mo- ment . So we return to the conception of art as ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words