A Modern Book of Esthetics: An Anthology |
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Pagina 107
Everyday experience , as well as scientific experiment , gives unmistakable
evidence of the influence which abnormal excitement or depression exercises ,
not only on our ideas and their associations , but even on the perceptions .
Everyday experience , as well as scientific experiment , gives unmistakable
evidence of the influence which abnormal excitement or depression exercises ,
not only on our ideas and their associations , but even on the perceptions .
Pagina 372
And one more consequence ought to be considered from the beginning - if
science means over - individual connection and art over - individual isolation ,
one most important difference of scientific and of artistic work must follow at once
.
And one more consequence ought to be considered from the beginning - if
science means over - individual connection and art over - individual isolation ,
one most important difference of scientific and of artistic work must follow at once
.
Pagina 376
... the truth of scientific knowledge , for that truth which understands the
immediate reality of the objects . . . . Philosophy , to condense all into one phrase
, has shown that all scientific knowledge leads us away from the real object ,
giving us ...
... the truth of scientific knowledge , for that truth which understands the
immediate reality of the objects . . . . Philosophy , to condense all into one phrase
, has shown that all scientific knowledge leads us away from the real object ,
giving us ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole