A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 235
... sculpture ; the recurrence of the theme in music ; the recurrence of the same type of foot in meter ; repetition of the same color in painting ; recurrence of lines and directions of lines ( parallelism ) in painting and sculpture and ...
... sculpture ; the recurrence of the theme in music ; the recurrence of the same type of foot in meter ; repetition of the same color in painting ; recurrence of lines and directions of lines ( parallelism ) in painting and sculpture and ...
Pagina 329
... Sculpture , in part through the gross misconceptions to which it is exposed , in part owing to a complete lack of standards of bodily perfection , and an inability to realize the distinction between sculptural form and bodily shape ...
... Sculpture , in part through the gross misconceptions to which it is exposed , in part owing to a complete lack of standards of bodily perfection , and an inability to realize the distinction between sculptural form and bodily shape ...
Pagina 414
... sculpture to observe the physical laws of equipose or to evolve dynamic equivalents for the solid sculpture of the past by rotating a part of the object through space " mercialized designer , seeking to add " art " to 414 THEORIES OF ...
... sculpture to observe the physical laws of equipose or to evolve dynamic equivalents for the solid sculpture of the past by rotating a part of the object through space " mercialized designer , seeking to add " art " to 414 THEORIES OF ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word