A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 235
... sculpture ; the recurrence of the theme in music ; the recurrence of the same type of foot in meter ; repetition of the same color in painting ; re- currence of lines and directions of lines ( parallelism ) in painting and sculpture and ...
... sculpture ; the recurrence of the theme in music ; the recurrence of the same type of foot in meter ; repetition of the same color in painting ; re- currence of lines and directions of lines ( parallelism ) in painting and sculpture and ...
Pagina 329
... Sculpture , in part through the gross misconceptions to which it is exposed , in part owing to a complete lack of standards of bodily perfection , and an inability to realize the distinction between sculptural form and bodily shape ...
... Sculpture , in part through the gross misconceptions to which it is exposed , in part owing to a complete lack of standards of bodily perfection , and an inability to realize the distinction between sculptural form and bodily shape ...
Pagina 414
... sculpture to observe the physical laws of equipose or to evolve dynamic equivalents for the solid sculpture of the past by rotating a part of the object through space " mercialized designer , seeking to add " art " to 414 THEORIES OF ...
... sculpture to observe the physical laws of equipose or to evolve dynamic equivalents for the solid sculpture of the past by rotating a part of the object through space " mercialized designer , seeking to add " art " to 414 THEORIES OF ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words