A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 66
Pagina 124
... seems to be no reason why the capacity to recog- nize this beauty in connection with other arts should , in any case , be lacking . Now there is no objection to the objective view itself , and we might well adopt it , if it led us ...
... seems to be no reason why the capacity to recog- nize this beauty in connection with other arts should , in any case , be lacking . Now there is no objection to the objective view itself , and we might well adopt it , if it led us ...
Pagina 185
... seems as if an appeal had been made within us to certain ancestral memories belonging to a far - away past - memories so deep - seated and so foreign to our pres- ent life that this latter , for a moment , seems something un- real and ...
... seems as if an appeal had been made within us to certain ancestral memories belonging to a far - away past - memories so deep - seated and so foreign to our pres- ent life that this latter , for a moment , seems something un- real and ...
Pagina 197
... seems to me a profound error of prin- ciple , a false idealism . It meets us , however , throughout Croce's system , according to which " intuition " -the inward vision of the artist - is the only true expression . External media , he ...
... seems to me a profound error of prin- ciple , a false idealism . It meets us , however , throughout Croce's system , according to which " intuition " -the inward vision of the artist - is the only true expression . External media , he ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words