A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 141
... sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception is gradual , and the path ...
... sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception is gradual , and the path ...
Pagina 157
... sensation and the activity of imagination is " day - dreaming " or fancy . It is art only in the making , because it lacks the unity of genuine intuition . Fancy is too passive ; it allows images and sensations to float lazily through ...
... sensation and the activity of imagination is " day - dreaming " or fancy . It is art only in the making , because it lacks the unity of genuine intuition . Fancy is too passive ; it allows images and sensations to float lazily through ...
Pagina 198
... sensation , and our experiences in the way of satisfactory and unsatisfactory feeling , are all of them won out of our intercourse with things , and are thought and imagined by us as qualities and properties of the things . Especially ...
... sensation , and our experiences in the way of satisfactory and unsatisfactory feeling , are all of them won out of our intercourse with things , and are thought and imagined by us as qualities and properties of the things . Especially ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word