A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 141
... sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception is gradual , and the path ...
... sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception is gradual , and the path ...
Pagina 157
... sensation and the activity of imagination is " day - dreaming " or fancy . It is art only in the making , because it lacks the unity of genuine intuition . Fancy is too passive ; it allows images and sensations to float lazily through ...
... sensation and the activity of imagination is " day - dreaming " or fancy . It is art only in the making , because it lacks the unity of genuine intuition . Fancy is too passive ; it allows images and sensations to float lazily through ...
Pagina 198
... sensation , and our experiences in the way of satisfactory and unsatisfactory feeling , are all of them won out of our intercourse with things , and are thought and imagined by us as qualities and properties of the things . Especially ...
... sensation , and our experiences in the way of satisfactory and unsatisfactory feeling , are all of them won out of our intercourse with things , and are thought and imagined by us as qualities and properties of the things . Especially ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word