A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 141
... sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception is gradual , and the path ...
... sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception is gradual , and the path ...
Pagina 157
... sensation and the activity of imagination is “ day - dreaming " or fancy . It is art only in the making , because it lacks the unity of genuine intuition . Fancy is too passive ; it allows images and sensations to float lazily through ...
... sensation and the activity of imagination is “ day - dreaming " or fancy . It is art only in the making , because it lacks the unity of genuine intuition . Fancy is too passive ; it allows images and sensations to float lazily through ...
Pagina 198
... sensation , and our experiences in the way of satisfactory and unsatisfactory feeling , are all of them won out of our intercourse with things , and are thought and imagined by us as qualities and properties of the things . Especially ...
... sensation , and our experiences in the way of satisfactory and unsatisfactory feeling , are all of them won out of our intercourse with things , and are thought and imagined by us as qualities and properties of the things . Especially ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words