A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 141
... sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception is gradual , and the path ...
... sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception is gradual , and the path ...
Pagina 157
... sensation and the activity of imagination is “ day - dreaming " or fancy . It is art only in the making , because it ... sensations into bright , expressive , and harmonious images . The harmony results from the unity of mood , which ...
... sensation and the activity of imagination is “ day - dreaming " or fancy . It is art only in the making , because it ... sensations into bright , expressive , and harmonious images . The harmony results from the unity of mood , which ...
Pagina 289
... sensations and bodily postures . “ We cannot satisfactorily focus a stooping figure like the Medi- cean Venus , " she pointed out , " if we stand bolt upright and with tense muscles , nor a very erect and braced figure like the ...
... sensations and bodily postures . “ We cannot satisfactorily focus a stooping figure like the Medi- cean Venus , " she pointed out , " if we stand bolt upright and with tense muscles , nor a very erect and braced figure like the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words