A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 149
... sense of beauty . " Beauty , " the author writes , " is relatively stable , or real pleasure . Any pleasant element may become part of the field that is relatively stable . We call an object beautiful which seems always to yield ...
... sense of beauty . " Beauty , " the author writes , " is relatively stable , or real pleasure . Any pleasant element may become part of the field that is relatively stable . We call an object beautiful which seems always to yield ...
Pagina 303
... sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment . This I must deny no less emphatically . When I see the sculptured image of a man in the act of rising , the sense ...
... sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment . This I must deny no less emphatically . When I see the sculptured image of a man in the act of rising , the sense ...
Pagina 461
... Sense of moving tendencies supplies thrill , stimulation , excitation ; sense of completion , consummation , affords composure , form , measure , composition . Emphasize the latter , and appreciation is of the classic type . This type ...
... Sense of moving tendencies supplies thrill , stimulation , excitation ; sense of completion , consummation , affords composure , form , measure , composition . Emphasize the latter , and appreciation is of the classic type . This type ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word