A Modern Book of Esthetics: An Anthology |
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Pagina 149
But I confess I am not prepared to hear that such a relatively permanent field of pleasure , without more ado , is the sense of beauty . “ Beauty , " the author writes , “ is relatively stable , or real pleasure .
But I confess I am not prepared to hear that such a relatively permanent field of pleasure , without more ado , is the sense of beauty . “ Beauty , " the author writes , “ is relatively stable , or real pleasure .
Pagina 303
But perchance the sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment . This I must deny no less emphatically . When I see the sculptured image of a man in the act of rising ...
But perchance the sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment . This I must deny no less emphatically . When I see the sculptured image of a man in the act of rising ...
Pagina 461
Without a sense of moving tendencies which are operative in conjunction with a state of fruition , there is appetitive gratification , but nothing that may be termed appreciation . Sense of moving tendencies supplies thrill ...
Without a sense of moving tendencies which are operative in conjunction with a state of fruition , there is appetitive gratification , but nothing that may be termed appreciation . Sense of moving tendencies supplies thrill ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole