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Pagina xxii
The successful work of art conveys a sense of the inevitability of the treatment;
the beholder derives a sense of the rightness of the expression, and therefore, in
a sense, finds the work beautiful. As Saint Thomas Aquinas observed long ago: ...
The successful work of art conveys a sense of the inevitability of the treatment;
the beholder derives a sense of the rightness of the expression, and therefore, in
a sense, finds the work beautiful. As Saint Thomas Aquinas observed long ago: ...
Pagina 149
But I confess I am not prepared to hear that such a relatively permanent field of
pleasure, without more ado, is the sense of beauty. "Beauty," the author writes, "is
relatively stable, or real pleasure. Any pleasant element may become part of the ...
But I confess I am not prepared to hear that such a relatively permanent field of
pleasure, without more ado, is the sense of beauty. "Beauty," the author writes, "is
relatively stable, or real pleasure. Any pleasant element may become part of the ...
Pagina 199
And I suppose that a great painter, in his actual handling of his brush, has
present with him a sense of meaning and fitness which is one with the joy of
execution, both of which the experience of a lifetime has engrained in the
cooperation of his ...
And I suppose that a great painter, in his actual handling of his brush, has
present with him a sense of meaning and fitness which is one with the joy of
execution, both of which the experience of a lifetime has engrained in the
cooperation of his ...
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Indice
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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Parole e frasi comuni
abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |