A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xxii
... sense of the inevitability of the treatment ; the beholder derives a sense of the rightness of the expres- sion , and therefore , in a sense , finds the work beautiful . As Saint Thomas Aquinas observed long ago : " An image is said to ...
... sense of the inevitability of the treatment ; the beholder derives a sense of the rightness of the expres- sion , and therefore , in a sense , finds the work beautiful . As Saint Thomas Aquinas observed long ago : " An image is said to ...
Pagina 149
... sense of beauty . " Beauty , " the author writes , " is relatively stable , or real pleasure . Any pleasant element may become part of the field that is relatively stable . We call an object beautiful which seems always to yield pleas ...
... sense of beauty . " Beauty , " the author writes , " is relatively stable , or real pleasure . Any pleasant element may become part of the field that is relatively stable . We call an object beautiful which seems always to yield pleas ...
Pagina 318
... sense , Distance is a factor in all Art . 3. It is , for this very reason , also an esthetic principle . The esthetic contemplation and the esthetic outlook have often been described as " objective . " We speak of " ob- jective ...
... sense , Distance is a factor in all Art . 3. It is , for this very reason , also an esthetic principle . The esthetic contemplation and the esthetic outlook have often been described as " objective . " We speak of " ob- jective ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words