A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 229
... significance . The significance in question , it would appear , consists of the expression of the artist's emotion , but 229.
... significance . The significance in question , it would appear , consists of the expression of the artist's emotion , but 229.
Pagina 230
... significance of art " is unrelated to the significance of life , " this so - called " metaphysical " hy- pothesis remains extremely vague . Apart from such ques- tionable thinking , he has admirably challenged the esthetic relevance of ...
... significance of art " is unrelated to the significance of life , " this so - called " metaphysical " hy- pothesis remains extremely vague . Apart from such ques- tionable thinking , he has admirably challenged the esthetic relevance of ...
Pagina 464
... significance derived from or comparable to the qualities of other experiences ; their signification is hidden and spe- cialized to a degree . Consider some of the terms which are in more or less current use among the critics who carry ...
... significance derived from or comparable to the qualities of other experiences ; their signification is hidden and spe- cialized to a degree . Consider some of the terms which are in more or less current use among the critics who carry ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words