A Modern Book of Esthetics: An Anthology |
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Pagina 253
We seem to have recognized intellectually the rightness of its forms without staying to fix our attention , and collect , as it were , their emotional significance . If this were so , it would be permissible to inquire whether it was ...
We seem to have recognized intellectually the rightness of its forms without staying to fix our attention , and collect , as it were , their emotional significance . If this were so , it would be permissible to inquire whether it was ...
Pagina 262
human beings , from all its significance as a means , he has felt its significance as an end in itself ? . . . But if an object considered as an end in itself moves us more profoundly ( i.e. , has greater significance ) than the same ...
human beings , from all its significance as a means , he has felt its significance as an end in itself ? . . . But if an object considered as an end in itself moves us more profoundly ( i.e. , has greater significance ) than the same ...
Pagina 464
For if the quality of the esthetic experience is by conception unique , then the words employed to describe it have no significance derived from or comparable to the qualities of other experiences ; their signification is hidden and ...
For if the quality of the esthetic experience is by conception unique , then the words employed to describe it have no significance derived from or comparable to the qualities of other experiences ; their signification is hidden and ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word