A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 251
... significant form , " but " significant relations of form , " and then try to make the best of two worlds , the esthetic and the metaphysical , by calling these relations " rhythm , " I have no quarrel what- ever . Having made it clear ...
... significant form , " but " significant relations of form , " and then try to make the best of two worlds , the esthetic and the metaphysical , by calling these relations " rhythm , " I have no quarrel what- ever . Having made it clear ...
Pagina 259
... significance of form , is raised above the accidents of time and place . To him the prob- lems of archaeology , history , and hagiography are im- pertinent . If the forms of a work are significant its prov- enance is irrelevant . Before ...
... significance of form , is raised above the accidents of time and place . To him the prob- lems of archaeology , history , and hagiography are im- pertinent . If the forms of a work are significant its prov- enance is irrelevant . Before ...
Pagina 260
... form , but it is not significant form . It moves us , but it does not move us esthetically . It is tempting to explain the differ- ence between " significant form " and " beauty " -that is to say , the difference between form that ...
... form , but it is not significant form . It moves us , but it does not move us esthetically . It is tempting to explain the differ- ence between " significant form " and " beauty " -that is to say , the difference between form that ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words