A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 247
... significant form . In each , lines and colors combined in a particular way , certain forms and relations of forms , stir our esthetic emotions . These relations and combinations of lines and colors , these esthetically moving forms , I ...
... significant form . In each , lines and colors combined in a particular way , certain forms and relations of forms , stir our esthetic emotions . These relations and combinations of lines and colors , these esthetically moving forms , I ...
Pagina 251
... significant form , " but " significant relations of form , " and then try to make the best of two worlds , the esthetic and the metaphysical , by calling these relations " rhythm , " I have no quarrel what- ever . Having made it ...
... significant form , " but " significant relations of form , " and then try to make the best of two worlds , the esthetic and the metaphysical , by calling these relations " rhythm , " I have no quarrel what- ever . Having made it ...
Pagina 260
... form , but it is not significant form . It moves us , but it does not move us esthetically . It is tempting to explain the differ- ence between " significant form " and " beauty " -that is to say , the difference between form that ...
... form , but it is not significant form . It moves us , but it does not move us esthetically . It is tempting to explain the differ- ence between " significant form " and " beauty " -that is to say , the difference between form that ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word