A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina xxxii
... social order re- mained secure , the esthetic of " self - expression " was not seriously challenged . But to - day a new social order is bursting upon us . Everywhere there are signs of change . I need only men- tion the mighty upheaval ...
... social order re- mained secure , the esthetic of " self - expression " was not seriously challenged . But to - day a new social order is bursting upon us . Everywhere there are signs of change . I need only men- tion the mighty upheaval ...
Pagina 409
... social milieu as the palaces and monasteries that the antiquarian art dealer and collector had begun to loot . The educational aim of the arts and crafts movement was admirable ; and , in so far as gave courage and understanding to the ...
... social milieu as the palaces and monasteries that the antiquarian art dealer and collector had begun to loot . The educational aim of the arts and crafts movement was admirable ; and , in so far as gave courage and understanding to the ...
Pagina 419
... social distinction of modern technics , how- ever , is that it tends to eliminate social distinctions . Its immediate goal is effective work . Its means are standard- ization : the emphasis of the generic and the typical : in short ...
... social distinction of modern technics , how- ever , is that it tends to eliminate social distinctions . Its immediate goal is effective work . Its means are standard- ization : the emphasis of the generic and the typical : in short ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
12 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words