A Modern Book of Esthetics: An Anthology |
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Pagina 171
All these souls were profoundly passionate ( all , even the serene Lodovico Ariosto , who was so amorous , so tender ... What we admire in genuine works of art is the perfect fanciful form which a state of the soul assumes ; and we call ...
All these souls were profoundly passionate ( all , even the serene Lodovico Ariosto , who was so amorous , so tender ... What we admire in genuine works of art is the perfect fanciful form which a state of the soul assumes ; and we call ...
Pagina 172
struggle of several different states of the soul not yet unified , their stratification , or mixture , their vacillating method , which obtains apparent unity from the will of the author , who for this purpose avails himself of an ...
struggle of several different states of the soul not yet unified , their stratification , or mixture , their vacillating method , which obtains apparent unity from the will of the author , who for this purpose avails himself of an ...
Pagina 472
a ness of the environment is absorbed into the permanence of the soul . The changing environment is no longer , by reason of its variety , an enemy to the endurance of the organism . The pattern of the higher organism has retreated into ...
a ness of the environment is absorbed into the permanence of the soul . The changing environment is no longer , by reason of its variety , an enemy to the endurance of the organism . The pattern of the higher organism has retreated into ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole