A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 95
... sound the same . Apart altogether from the subjects or ideas , which may be identical , each one has an air , an accent , which can never either be con- founded or replaced . In some of them we find elegance , finesse , grace , the most ...
... sound the same . Apart altogether from the subjects or ideas , which may be identical , each one has an air , an accent , which can never either be con- founded or replaced . In some of them we find elegance , finesse , grace , the most ...
Pagina 174
... sound paradox- ical , that is partly because , as a general rule , a too restricted meaning is given to the word " expression . " It is generally restricted to what are called verbal expressions alone . But there exist also non - verbal ...
... sound paradox- ical , that is partly because , as a general rule , a too restricted meaning is given to the word " expression . " It is generally restricted to what are called verbal expressions alone . But there exist also non - verbal ...
Pagina 195
... sound . It is , however , significant sound , uniting inseparably in itself the factors of formal expression through an imme- diate pattern , and of representation through the meanings of language , exactly as sculpture and painting ...
... sound . It is , however , significant sound , uniting inseparably in itself the factors of formal expression through an imme- diate pattern , and of representation through the meanings of language , exactly as sculpture and painting ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words